Lewis Warsh

 

 

 

 

LAST CIGARETTE

 

 

 

1

 

I am sick, alas, & you are the physician. Description

is my favorite part of a book. I have written whole books

in which no one says anything. If you ask me what

happened I’d tell you you were wrong. It’s angelic to harbor

a grievance for something that never happened. I tell a few

lies to preserve my secrets. A nude scene without the

credentials of a firebug, signed anon.

 

 

 

2

 

Someone called & said their neighbor was harboring fugitivies.

“Don’t tell them I told you,” he said, & hung up. I saw a skirt

hanging on a clothesline from the window of a train. The prisoner

unfastened his shackles when the turnkey was sleeping. You

can tell the police your story but don’t expect them to listen.

Stop the car at a crowded intersection & take off your clothes.

It doesn’t matter where I am if you aren’t here.

 

 

 

3

 

At night, we fall asleep listening to the radio & dream of snakes.

My favorite song is “Backstabbers” by the O’Jays. There was

cat food on a plate and dust in the air and from the bedroom window

you could see office buildings, water towers and bridges.
A scratchy record is our only testimony to regret. It was possible

to dance by oneself, and in this way attract numerous partners,

who would circle around you in the center of the living room

without touching. Then a slow dance comes on and everyone

evaporates into thin air.

 

 

 

 

4

 

But I never wanted to be the person who judged anyone, or be

judged in return. It didn’t matter to me, if the earth opened & we

fell into the chasm, who was saved, in the end, who was left

standing at the final buzzer. There was a way of taking your

thoughts to a point where they existed outside your mind, like

colors in a prism when you hold it up to the light. You have

to hold on to the light a little while longer; only then can you

unfasten your cufflinks, take off your shirt, & get into bed.

 

 

 

5

 

My eyes grow tired during the day. I used to stay up all night

but now I get tired at midnight or even earlier. A wave of

sleep comes over me & I close my eyes. My mind wanders as

I read. But as soon as I get into bed & turn off the light

I begin thinking of things that happened in the past. Some of

the memories cause pain, but most of them are pleasureable.

The reason I want to remember them is to relive the pleasure.

But the painful memories resonate as well. (Sometimes

I have to get up & take a pill to put me to sleep.)

 

 

 

6

 

It’s all we can do to put the pieces back together, a random

unit where even the stars are out of focus, & the shadows fall

like shards of glass across the empty lot behind my house.

As a child, that’s where I went, to pick pears off a tree. If I didn’t

pick them they would just ripen & fall to the ground. Recapture

the moment, a kind of still life, before it dies. Knock on

someone’s door & ask for something hot to drink against

the long night ahead. We can sleep the sleep of forgetfulness &

never wake up. A man comes into a diner & holds a napkin to his

lips. A swelling around the side of the mouth in the shape

of a question mark, but no answer.

 

 

 

7

 

Tell me something you never told anyone. The security guard

monitors the occupants of the elevators from the lobby. Hold the

door open for the woman with packages. You give up part of

your body to someone who needs it. You give away what you value

most to someone who doesn’t care. A list of words in different

languages that mean the same thing. Faithful light of morning

with the wind in our faces.

 

 

 

8

 

Number holds sway above the flux.

Progress is not of the mind

but the hand.

Principles come first; deduction follows.

All the notes can be played at one time.

 

The footfall of a cat.

The roots of a rock.

The head of a worm.

The breath of a fish.

 

The Galapagos islands: a state of mind.

Beware of still waters & overly obedient children.

 

The colors of her dress merged with the landscape.

It was something Lauren Bacall might have worn in 1950.

 

 

 

9

 

This is just the beginning of someone else’s story. If we

make a mistake the first time, we can try again. If we lose

our balance we might fall to the bottom. Being in denial

is just another form of stupidity. The doctor who was on duty

wrote me a perscription for pain killers. I offer my guests

a plate of bowtie cookies.  It occurs to me that my audience

consists of no one but you.

 

 

10

 

Come, let us make a human being

in our own image. You can see it in a new light

now that it’s already happened.

 

If your mother calls I’ll tell her you’re still asleep.

We all have two points of reference:

maternal, paternal,

 

but distance is everything,

a name you can’t remember.

Weight on eyelids of first spring rain.

 

Mothwings flattened against a bulb.

A pitchfork leaning against the side of a barn.

Colored ribbons, fusilage, the map of intransigence.

 

Islands off the coast of Alaska where

we can go for a holiday.  A voice on the intercom:

is there a doctor in the house?

 

 

11

 

All transitions are seamless, & this is true of the body as

well. It requires you to put one foot in front of another--& when

everyone stops moving you continue, you go on. We have another

plan & it isn’t plan B. Fish dart out of the crevices when they

see you coming. There are stones embedded in the surface

of the reef. This is the park where I played after school

as a child. This is the room where I lost my virginity. This

is where the banks of the river overflow.

 

 

 

Coda

 

He didn’t think of himself as a separate person. When he had

something to tell someone he told it to them in his head. It was

possible there was nothing in his head but these voices. He

was attached to his mother by strings that were invisible to

everyone but himself. Whenever his mother left the house he

followed behind her. As he walked he had conversations with

all the people he used to know, his high school teachers, his

friends from nursery school. Sometimes a gypsy in a long skirt

was dancing on a stage in his head & he was standing in the

background clapping his hands. The swirl of her skirt hypnotized

him. It consisted of numerous multi-colored patches stitched

together & she had a disorganized look in her eyes. She stamped

her shoes on the floor of the stage & shouted out words to the

audience. The words seemed to be coming from the depth of

her being, some inner core. It was an animal sound, & combined

with the loud banging of her feet, reminded him of a herd

of horses rushing along the edge of a canyon, a virtual stampede.

 

 

 

(BACK TO ISSUE TWO)